Among the Art Treasures of the Liechtenstein Family

The House of Liechtenstein belongs to the most important aristocratic families in Europe. They possess two palaces in Vienna: the Garden Palace (Fürstengasse 1) and the City Palace (Bankgasse 9). Except for the rich decoration with many gold elements, impressive parquet floors and magnificent antique furniture, there are also precious art objects – paintings and sculptures which represent the second largest private collection just after the art wealth of the British royal family.

Osias Beert the Elder: Large Still Life with Apples, Grapes and a Vase of Flowers

Because we celebrate 300 years of the founding of the Principality of Liechtenstein this year, the famous gallery Albertina in Vienna shows a unique selection of the most outstanding works from the Princely Collections, which have embellished the walls of their palaces for several centuries.

From Rubens to Makart

Although many of these masterpieces have already been exhibited in the most important museums around the world, the visitors of Albertina have a unique chance to see them so concentrated at one place from an amazing range – starting with artists of the Italian Renaissance, continuing with the Baroque period, Viennese Biedermeier and historicism.

The exhibited paintings of Peter Paul Rubens belong to the most precious objects of the collection. And among them – the portrait of his five-year-old daughter Clara Serena from around 1616. Thanks to the perfect colour of the child skin and the expression of her face, the painting represents one of the best child portraits in the history of European art.

However, the main attraction of the exhibition is the painting named Venus in Front of the Mirror which has never left the walls of the Garden palace until now. It is unique not only because of the goddess observing us – the visitors – through the mirror, but most importantly because it is very likely that the brush was indeed held by Rubens and not by his assistants in his art workshop.

In addition to Rubens’ works, there are about 100 paintings and sculptures made by many other famous artists. It is difficult for me to say which object I liked most, every painting or sculpture is unique in a sort of way. Still I tried to choose at least some of them:

Giovanni Antonio Canaletto and one of his picturesque paintings of Venice

Giuseppe Arcimboldo: Earth – symbolized by the head of a man composed of various indigenous and exotic mammals

Ferdinand Georg Waldmüller: Roses – brilliant flowers in a gorgeous vase, depicted in detail

Hans Makart: Cleopatra at the Moment of Her Death – the popular actress of the Viennese Court Theater Charlotte Wolter posed for this painting

I also liked the portrait of the sleeping two-year-old princess Marie Franziska von Liechtenstein by Friedrich von Amerling very much. The babyface, decorated with fine locks, looks like a small angel. Peace and intimacy radiate from the painting and it is completely different from the traditional stylized portraits of aristocratic descendants at that time.

Rudolf von Alt and His Time

The second part of the special exhibition shows almost 100 watercolours from the beautiful collection of more than 1,000 works of the best watercolour painters of the 19th century from the Biedermeier period to realism. Most of them are made by the Austrian painter Rudolf von Alt.

At the beginning of the 19th century, so-called “pictures of the rooms” (Zimmerbilder in German) were in fashion. They depicted the housing culture and lifestyle of the aristocratic society. The Liechtenstein family commissioned Rudolf von Alt to immortalize the interiors of their palaces in Vienna and the residences outside the city.

Rudolf von Alt: The Blue Drawing Room at Valtice Palace

Joseph Höger: The View from the Terrace of Rasumofsky Palace

The image of the capital of the monarchy was changing very rapidly. These changes are also depicted in some of the watercolours of Rudolf von Alt.

The Staircase of the Court Opera looks like a photography just from yesterday

The Danube Canal at that time

There are also several portrayals of the Alps by Thomas Ender. In the early 19th century, not only paintings of palace interiors were popular by the nobility but also motifs from foreign countries. Almost all painters of the Viennese Biedermeier period travelled a lot, mostly to the most beautiful corners of the monarchy and neighbouring countries, and after that they transferred the seen views into their paintings. There are several such “postcards” exhibited in the Albertina as well.

Thomas Ender: The Ruins of Rabenstein in Eastern Tyrol

Rudolf von Alt: The Arch of Titus in Rome

State Rooms of Albertina

It is not necessary to admire the beauty and opulence of the aristocratic homes on the exhibited watercolours only. For almost 100 years, Albertina used to be the residence of Habsburgs’ archdukes. Nowadays, 20 rooms have been renovated and furnished with impressive antique furniture.

The gallery was established in 1805 by Duke Albert. Five years later, Johann I, Prince of Liechtenstein opened his art collections to the public as well. Both aristocrats knew each other very well. The relationship between these two families is also documented in a monumental painting in one of the state rooms. The Austrian painter Peter Krafft depicted the historical Battle of Aspern in 1809 which was Napoleon’s first defeat. The main figures in the painting are Archduke Charles and Johann I, Prince of Liechtenstein at his side.

The exhibition is open until 10 June 2019 and is worth seeing. If you won’t manage to meet the deadline, don’t worry. For sure, there will be another interesting art exhibition in Albertina whenever you visit it, more information about the gallery: here

And what about the treasures of the Princely Collections? After the exhibition is finished, you can see them at the Liechtenstein Palaces in Vienna which are open to the public 2-3 times a month, but only as a part of a guided tour or a concert. More information: here

Text: © Copyright Ingrid, Travelpotpourri
Fotos: © Copyright LIECHTENSTEIN. The Princely Collections, Vaduz–Vienna a Ingrid, Travelpotpourri

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  1. Ingrid z BB

    Ceska republika by sa mala zamysliet nad osudom povojnoveho majetku rodiny Lichtenstein. Tato rodina aj ked nemeckeho povodu, mala velke majetky v cechach a velmi lipla na tomto kusku Europy. Tato rodina nikdy nekolaborovala s henleinovcami, Benešove dekrety by sa nemali na nich vztahovat, napriek tomu sa im majetky nevratili po revolucii v r.1989.
    Určite si pojdem pozriet vystavu do Albertiny. Vdaka za pozvanie. Ingrid z BB

    1. Ingrid (Post author)

      Áno, je to citlivá otázka. Však aj preto nemalo Lichtenštajnské kniežactvo diplomatické styky s Československom a ani po rozdelení – s Českom – až do roku 2009. Pozdravujem!


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